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      Korean Wares

      Bernard Leach, regarded as the father of British studio pottery, stressed that ceramicists of the 20th century ought to learn the techniques of the Joseon Dynasty masters to truly advance in their craft.By admiring the “naked and unaffected freedom” of Joseon Buncheong wares he added that “it is the desire for the wholeness which draws us to the Korean pots.” Renowned British art historian William Honey stated that “the best Korean wares are not only original; they were the most gracious and unaffected pottery ever made. They have every virtue that pottery can have.”